New album: Rayhan – ‘ULOVE: Rayhan’s Version’ –

Show a melody for hip hop, pop, electron, Olov: Rihan version It is a new album echo from Rihan. The rapper, actor and actor in Toronto and headquartered in Toronto shouts with an unforgettable voice throughout the release, inspired by nostalgia to nostalgia and the experience of living-from both moments from the festive disclosure to a sad sorrow. The album is a raw journey, through heartbreak, addiction, love, and self -discovery in the anarchist emotional scene of one while moving in the mid -twenties. Rihan caught for the first time our ear with last year High -back EP, continues to influence here with this full length.

“The introduction of the broken heart” indulged in narrating the subjective effects from the beginning, and weaves the spoken word reflections on everything from drug temptations to one’s ability to love. “I cannot get you out of my head,” I assume the singing of Rihan’s most loving ease, then descends to a mysterious depth; The album is constantly proportional to the transformation between the ability of pop/hip -hop harmonious and more experimental endeavors, and it is clear here with the dark sequence that swincing to “still miss you.” The path “No tomorrow” follows the haunting air pieces. Rihan’s newly disintegrated singing singing, then exploring how drugs and mixing can be as numbness factors in treating broken heart. Production bodies with technical cohesion between fast hip -hop and R&B plots late at night.

Strong ingenuity appears in the atmosphere on the “cold”, where the dreamy psychological guitars meet with lyrical reflections about the feeling of fracture and despair. Kendrick lamar shades early in “Bird of Prey”, poetic birth. The vibrant impulses raises the “running of love” subsequent, sensual in its amazing initial descriptions and moving to a clear stop, along with the high loud guitar. The guitar work on “running out of love” is enjoying fun, while “Freak Hoes” follows in the dark electronic pop world. After that, “new new repercussions” exudes the smoke of Shabaz palaces in creating hip -hop sleeping.

The second half of the album continues to activate its mixture of dark reflection and charismatic reflection. “Gangs on my lionly” calls for nostalgia in the nineties in singing the female spirit and vibrant bullets. Meanwhile, “Love Love” brings us back to the sixties of the last century with its luxurious threads and hints from Mutown. Among the efforts of the most intense album is “Fire Alive”, which moves to the feelings of unity with other views of drug/substances after personal disorder. It is closed by one powerful punch, with the confident “G” shock that motivates “Gotta you must get on my own”, personal perseverance offers after losing itself. “Honestly for you free”, combines smooth saxophone with a drunken free program to close the excellent Olov: Rihan version In the form of completely tangle.