Kandy G. Lopez striking embroideries, life threads of life highlighting Bipoc-huge novels
On large areas of a colored network, Candy c. Lopez Embroidery of large -scale pictures of people from historically marginalized societies. The statement says: “Its work is created from the necessity of learning something new about its people and its culture,” the statement says.
Depending on her ancestors, the Caribbean is the artist, who is based in Fort Lauderdale, celebrates her headquarters, culture and heritage as a means of building communications and generating dialogue on acting.
Lopez started working with mesh and fiber nearly ten years ago, but she started dealing with her greater serious Hambidge Center In Georgia. “As a painter, my background was slim. Sometimes they have monochrome city views,” I told a huge Lopez, “so he left the background rare I was aware of.”
The vision, existence and acting is vital for the artist’s work. In each composition, she focused on wearing life -size characters, so her looks meet directly with the viewer. By using materials and metaphor – such as strands with layers that indicate how to “disappear and retreat” individuals “and retreat” in the concepts of society, flexibility and narration.
The retinal backgrounds raise connections with the patterns of the neighborhood Street and the overlapping layers of woven and meat warp. The artist says: “I also love to borrow in transparency, classes and weakness,” the participation is that it is sometimes integrating the view of the city overlooking the network.
It represents Lopez ACA exhibitions. See more on it Website and Instagram.
