Art & design

JUXTAPOZ Magazine – Hell is hot in the world of Emma Stern

One of the wonderful podcasts that we have ever participated was our chat with Emma Stern in 2022. What we learned is her dedication and deep diving in the form of a world that creates an artistic form, and what seems crazy is that at that time, talk about artificial intelligence has not evolved as much as it appears in the coming years. In an interview later that year, Stern told us, “… I admit that there is a truly difficult plan to get out when we create and design ourselves. This quote made us think about its current show, Hell hot, Pounted in Almon Rech Paris.Evan Brico

List of “Watch” entitled: I have sex with what? Marine creatures, ugly physical sounds, towering angels and motorcycles between the legs-all of which retreat and swallowed by Hamas Jerli. The videos created from artificial intelligence have swept through its diabolical muscular arms. In these videos, the moment of communication is the place where they are sculpted – the sculpted, very solid -, and to reduce the place where random intelligence understands the body’s connection to the meat. In Emma Stern’s paintings, the edges retain: they shine with the filling of strange desire. Binary -shapes are converted from the committed waist, T & A, anti -gravitational to a gorgeous sporty rabbit ears and a mermaid tail. Carved in the three -dimensional programs preferred by amateur photographers, then drew them precisely with oils in the electronic colors of Sonset, the colors of Sterin and the symbolic grave give us the post -humans we deserve.

To think about the deviations based on the screen as uncomfortable, or indifferent, neglects the extreme degree of annoying attention to creating idol cells, freezers, embodiment, and other things with other emotions. Hair, clothes, accessories and character characteristics are chosen with love. Fantasy scenarios are text, present, draw, or form a touch of feather light from the pen in the mixer. Is anything more worshiping than the steam that connects the donkey with perfection, or picks up every strand of hair on OC (the original personality) so that it can capture the sunset that is not realistic more realistic? Attention to details pure, heterogeneous licenses.

now this Romantic necessity: attention, and a lot of it. Anyone sponsored a state of Limmer The trick turned the flipping of the surface elements into an illusion without cooling. Even the most features of Normie become mature to reformulate the icons through a ruthless and loving look. The exciting firefighter cliché, the president, or the pig on the road becomes the perfect floor of creative work of crushing it severely. The world becomes outside the organism either a set of stage of the perfect fictional text of reality, or erupted into a lack of connection. It becomes a fog for an explosion around the bright body divine, and it is an empty gradient to better highlight the decisive puzzle in the center of attention.

A difficult look, directly and not affected, completes melting. It concludes the deal. Type each other, in the Satan agreement. “Am I calling this man or did I call myself because I am sexy and enjoy the survey with a symbol of my desire to integrate with myself as if I were made of separate entities and I can never get close to”-he wanders in my evergreen Mimi, and a normal text on a hot girl in body dress. In 2025, all the sexual homogeneity programs involve a type of debate – with one image, with the opposite. He always fights the night: the true heart desire against. Supreme self -necessities. In the boxing or hot boxing ring, the giant Final Fenti swords practice, you see Emma Stern girls how to look at them, and they are ready for the battle with a full arsenal of seduction, softness, and numerical appeal. They feel in one way or another that complete contact will not lead to a bruise, but melting. From the skin to the skin like a cream on the sidewalk. Like a snowball in hell. The enemy pipeline to the lover was not very burning. – Alex Kochu, the scene and the director of research



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