GWYNTH Paltrow, Julia Fox & More attend Frieze la 2025

When Frieze Los Angeles opened its doors to the characters on Thursday morning, the mood was optimistic – but emotional – in the wake of the recent Los Angeles fires.

“The energy is very good at the present time,” said actress Alex Pragher, known for her carefully created pictures and films that challenge the border between the currency. “Five weeks ago, we had no idea whether (Ephrez) would happen, with fires.”

She and her family lived while she and her family and her family. “Two blocks got two blocks,” I continued. “We have decided to leave now, because we have a 7 -year -old child and we were not sure of the air shape, toxins in the soil, and muddles.

She was displaying her work in Lehman Mobin’s booth, where she presented “Santa Monica Airport (departure), which is the printing of a 48 -inch archive.

“I don’t know if anyone picks up the name,” she said, noting that he is hinting at Frieze La but also symbolizes evacuation. “Departure” – we moved. For me, it’s really personal work. We stopped displacement now, “she stopped temporarily, and she is crying.

“I don’t know why I feel passionate,” I went. “Los Angeles is a city that always goes through a transitional stage. Every time it falls in love with something, it disappears. But it is also a city full of constant creation. Artists are very important to the city to rebuild it. We are in the middle of that rebuilding now.”

She depicted her article, which was photographed on the sound stage, a crowd moving across the airport (wearing an appearance by Zara, who put the money towards the image). She said that Prayer is especially about its use of colors that work in harmony with each other, which creates a play on the light and the important shadow of emotional survey and a feeling of characters, “This is what drives the city, people. Because it is constantly changing, the basis of the city is the people.”

While the artists have always worked and lived in Los Angeles and its environs, they were attracted to space and light (at some point, the ability to bear the costs), the art world led to the city to the city. David Mobin.

“The real secret and success in the market in Los Angeles is because of the great artists and great art schools,” said Mobin. Los Angeles, based in New York, opened the first exhibition in Soho with Rachel Lyman in 1996 before expanding to London, Hong Kong and Soul.

“This is a legacy that has become more clear and more clear,” continued. The museums have really grown and rose to this increasing celebration of the artist. Thus, colleges buy La artists. “

Besides Bragher, Lehman Mobin showed the works of Catherine Obi and Lezel Luri Beatman and Tudy Gray, all of which are based in Los Angeles and South California.

“Because of the fires, there was a real invitation to the arts community – the atmosphere was really good,” said Mobin on the opening day. “When something happens, it seems that we are all in a nice way, and we are traditionally over the years. We have had a lot of sales yet, I would like to say more than last year.”

Lehman Mobin participated in “Showrooms Together” by Victoria Miro, who invited the exhibitors and artists to contribute to the business in a collective presentation with sales revenues that benefit directly from the La Arts Community Fire RLIF $ 25,000.

The best sales of the exhibition for four days were the Elizabeth Biton board for $ 2.8 million, Noah Davis worked for $ 2.5 million, the Alice Nile panel for $ 1.8 million and the Lisa Yuscavaj plate for $ 1.6 million, all sold by David Zeerner. Gladstone Gallery was another exhibition to watch success, as he was selling Keith Haring on Glass for two million dollars. Meanwhile, Kovie Hofcins has put a plate from Trissi Emin for about 1.2 million pounds; Thadius Robak sold a painting by George Baslitz for a million euros; Michael Rosenfeld Gallery sold the Ruth Asawa panel for approximately one million dollars, and Gallery Johyun Gallery has been sales on the opening day, which total seven numbers of its double offer for Lee Bae and Kishio Suga.

97 exhibitions from 20 countries were collected at Santa Monica airport, including local and international exhibitors, attracting about 30,000 visitors over a period of four days. In the compartments, he was wandering a mixture of leaders and founders: Hans Ulrich Oberist of Serbin’s showrooms, Michael Jovan from the Los Angeles County Museum, Heidi Zuckerman of the Orange County Museum of Art, San Francisco and Golden from the Harlem Museum in the Studio.

The familiar faces of the world of entertainment, technology and beyond Tim Cook included Apple, Gwyneth Paltrow, Gunna, Julia Fox, Jesse Williams, Julie Bowen, Michael Chow, Kid Cudi, Mark Hoppus, Katie Couice, Lisa Edlstein, Brit Marling, Dan Reynolds, Dannolds, Menka Kelly, Russell died, Oliver Stone, Rosetta and Betzar Getty.

Among the artists who attended Obi, Takashi Murakami, Doug Aitkin, Jonas Wood, Alex Israel, Tania Agwiga, Claire Champs, Jackie Amizkita, Shen Liu, Charles Jins, Greg Eto, Kelly Akashi, Lita Albukik, Mary Mechanism, Christina Mutlad, Alison, Alison, Alison Saar, Betty Saar, Sheleria Saban, Titos Cavar, Sadi Barnit, Lauren Halsa and Madeleine Holland.

Artist Oil Ezezco said from his experience: “The people who have spoken to them are the original inhabitants and watched this exhibition.” I feel it. Everything is vibrant in the cabins. It looks positive, which is necessary at this time. “

“It was really busy,” said La Gallerist Anat Ebgi. “It is really an incredible offer to support that people here.”

She also focused on the display of local artists, such as Jaime Muñoz, Anabel JUárez, Cosmo WhiTe and Alex EGAN. Among the works presented, Agean’s “goalkeeper”, an oil painting for a burning car on a coastal highway and a slender palm tree on a blue sky, was fading at night. It is a reaction to Palisades Fire, whose home destroyed, his back studio and more than 20 paintings he had been working on for nearly two years in preparation for three exhibitions, including the first main museum exhibition in Asia in Tokyo.

“After he was burned directly, he was feeling this anxiety,” Ebji said about the support of his colleague, the artist Agean. “He had no place to live in, and he had no place to work, so we presented him with the exhibition, the second floor, to use it as a studio and the first thing he did was this painting. He had to get it out of his system.”

Among the new arrivals this year in Frieze, Southern Guild, based in Cape Town, South Africa, was with a second position in Melrose Hill in Los Angeles. There was a mixed artist mixed media and painter Manago Mashilo.

“It is my first time in Los Angeles,” said Machilo, who often reflects spiritual and African identity. “It was really surprising to see how people respond to my work. Also, we realize that our stories are not far. We are on different aspects of the world, but we have a lot of common denominators. It was really great to call.”

Her drawings, “We have always known to look to the center,“ It came from a group of work that took place last year. “Many personal family things have happened,” she explained, echoing the losses of loss and society in the exhibition. “I lost a lot of mothers in my life. I am my mother myself, and I was also thinking about the things that left me. To carry these knowledge systems that my mom left. “