Constance Jayji illuminates flexible women in Charreía in “Escaramuza, House’s Poetry” – huge

He grew up in Switzerland, Constance JayjiIt was a trip from the Central European suburbs to the rural herbal lands in Texas, guiding with what it describes as “an unsuccessful magic” with horses. She moved to the United States to follow a competitive and attending profession, and eventually became a farm and spins mainly throughout her life around the gentle giants.

“All over the college, I was spending all weekends and time on horseback,” Jiji Colosl. Over time, it was pulled to explore the culture of horses through visual means, capturing a camera and documenting animals, people and landscapes around it. “I was interested in the old relationship with human pregnancy and how this affects the relationship of humans with horses today.” “Photography was a way to circumvent this curiosity and express myself differently.”

While attending beef and traveling throughout Western society, Jaeji got acquainted with custom escaramuza. It is the only female event for Mexican national sport CharreíaAnd the activity combines equestrian and livestock competitions such as tension and work with livestock.

escaramuza, Who translated into “skirmishes”, was inspired by the soldiers, or Soldadras, Subordinate Mexican Revolution In the early twentieth century and contemporary novels such as “No Adeleletta“The difference is traditionally consisting of 16 women, with eight competing at one time for a maximum of eight minutes. escaramuzas Riding both sides and are judged for their coincidence, accuracy, clothes and elegance.

“when Cow sponsor Museum At Fort Worth, Texas, I called me about creating a photo gallery on escaramuza “I didn’t know very little about it, unlike the beauty of dresses and the elegant performance aspects of it. When I started searching, I was fascinated by the history of tradition, and sexual dynamics inside CharreíaHow do they develop, and the stories of the contemporary cyclists you spoke to. “

The oral history of women who met the basis for the continuous jaegi series, is. Escaramuza, poets of the houseAnd that is now displayed in Poetry Foundation In Chicago. “I was not at first sure how, but I knew that I needed to restore their voices to work in one way or another,” says the artist.

Jaegi swelled by a team in Illinois, Colorado, Texas, Washington, Idahu, Georgia, California, Oregon, Iowa, and Arizona, to conduct an interview with their passengers while she was going. During the trip, I met two poets, Ern Lara Silva and Angelina Sainz, whose poems accompany the pictures and inspired by women’s stories.

“Poetry is a good way to really emphasize some strong topics that came out of my conversations with the cyclists, and Angelina and Irenne were a good position to understand the cultural background of these women,” says Gigi.

Escaramuza, poets of the house Photo centers for Mexican American women in the full Regalia, with highlighting sombureos. Jaeggi depicts the individuals who have been empowered, powerful, andine, balances many responsibilities. “Many women I have met are full -time students or have full -time jobs – sometimes multiple functions – and children raising,” says Gigi.

Sport is also dangerous. Competitors perform intense and complex maneuvers, intersecting with each other at a high speed, making the side ride make the challenge more difficult because the person only has controlling one side of the horse.

“There is a narration about the migration and the role it plays in the development of sport in the United States,” says Gigi. As a sexual event, it is strictly governed Charreía The rules, and a lot of frustration with the hardness of the dress that they must adhere to, and this is not the case for males Charros.

Exacaramuza, poets of the house It continues in Chicago until August 23. Find more on Jaeggi’s Website and Instagram.