JUXTAPOZ – Julien Nguyen @ Matthew Marks, NYC
Matthew Marx is pleased to announce Julian NgwinThe next exhibition at its exhibition on 526 West 22 Street. The exhibition includes twenty new panels.
Julian Ngwin is inspired by inspiration from different historical periods, cultural traditions, time and expected distance to create new worlds. Noguyen embodies this approach not only in the content of his work, which indicates the history of art, science fiction, contemporary topics and the artist’s personal life, but also in its articles, which derives from Japanese, traditional and traditional drawing practices. This exhibition presents the first paintings of the artist to be made directly on copper panels, which is the technique of coating was first developed during the Middle Ages and was later circulated by an old master’s degree such as Rembrandt and Jan BRUGHEL The Elder.
Three self -images are among the new works presented. in AnagnorisisNaguin derives from 15 Diaric’s seizuresY Century Panel Gospel But it removes Gabriel and Mary from the composition. In their place, Ngawin appears to tend to the back wall, staring at the empty room now. The title comes from the Greek word for “Identification”, used in the context of the old theater to describe the moment of the hero’s critical discovery. Self -photo after GensburoWhere Nagwin looks at 18Y Century Tricorne Hat, similar to the work of the British painter Thomas Ginsburo.
The exhibition also provides frequent photos of Nikos, which stems from NGUYEN’s interest in Muse’s conceptual framework. In these works, based on the special moments captured on the artist’s mobile phone, Nikos was seen smoking, lying on a chair, and on a balcony against the New York City horizon.
There is also a new collection of work, as Nguyen continues to explore Los Angeles, in a series of ten -inch intimate landscape. Air air cloud entitled entitled Olympus Mountain The name of the neighborhood was named in Los Angeles, known as semi -classical architecture and legendary street names. “I have put these things in my paintings as kidnappers and requirements.” “It is a continuous dance of what is known and what is not. This is a very cool question for me – how some pictures affect us, where it comes, and how it is outside the context, in a kind of disorganized state.”
Julian Ngwin (born in 1990) lives and works in Los Angeles.
